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This book offers a fresh perspective on the art of Monet and Rothko, pioneers of abstraction and colour. Recent research has uncovered surprising parallels between late impressionism and abstract art. Through an unprecedented dialogue between Monet and Rothko's paintings, this publication explores their uncanny similarities and differences, revealing a profound connection between their artistic worlds. Originally intended for an exhibition at the Musée des Impressionnismes Giverny, the book challenges perceptions of abstraction and modernity, providing new insights into the unique essence of their work through the analysis of renowned critics.
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