{"title":"Tim Burns: The Kinetic Moment","description":"\u003cp\u003e\u003cspan\u003eDelve into the practice of Western Australian artist Tim Burns with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTim Burns. Time Smoking: A Picture\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, published by AGWA to accompany \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTim Burns: The Kinetic Moments\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, on display from 17 October 2026 to 28 February 2027.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExplore the new exhibition catalogue alongside a selection of related publications.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"un-magazine-181-badaud-x-182-after-care","title":"un Magazine 18.1 Badaud x 18.2 After-care","description":"\u003cp data-start=\"153\" data-end=\"618\"\u003e\u003cem data-start=\"153\" data-end=\"166\"\u003eun Magazine\u003c\/em\u003e's double issue 18.1 Badaud x 18.2 After-care offers a compelling exploration of contemporary art and critical discourse. This two-part publication delves into themes such as art criticism, the capitalist subject, outsider art, American portrait photography, AI safetyism, art vandalism, and the co-option of politicized language. It also features profiles of Australian artists Tim Johnson, Tim Burns, and The Unbound Collective.\u003c\/p\u003e\n\u003ch4 data-start=\"620\" data-end=\"649\"\u003eIssue 18.1: Badaud\u003c\/h4\u003e\n\u003cp data-start=\"650\" data-end=\"729\"\u003eGuest edited by Tara Heffernan, this edition includes contributions from:\u003c\/p\u003e\n\u003cul data-start=\"731\" data-end=\"1002\"\u003e\n\u003cli data-start=\"731\" data-end=\"753\"\u003eScott Robinson\u003c\/li\u003e\n\u003cli data-start=\"754\" data-end=\"776\"\u003eDaniel McKewen\u003c\/li\u003e\n\u003cli data-start=\"777\" data-end=\"797\"\u003eElyssia Bugg\u003c\/li\u003e\n\u003cli data-start=\"798\" data-end=\"821\"\u003eGeorgia Puiatti\u003c\/li\u003e\n\u003cli data-start=\"822\" data-end=\"846\"\u003eYannick Blattner\u003c\/li\u003e\n\u003cli data-start=\"847\" data-end=\"865\"\u003eVincent Lê\u003c\/li\u003e\n\u003cli data-start=\"866\" data-end=\"885\"\u003eAimee Dodds\u003c\/li\u003e\n\u003cli data-start=\"886\" data-end=\"903\"\u003eSam Beard\u003c\/li\u003e\n\u003cli data-start=\"904\" data-end=\"926\"\u003eEugene Hawkins\u003c\/li\u003e\n\u003cli data-start=\"927\" data-end=\"950\"\u003eFrancis Russell\u003c\/li\u003e\n\u003cli data-start=\"951\" data-end=\"975\"\u003eAlexandra Peters\u003c\/li\u003e\n\u003cli data-start=\"976\" data-end=\"1002\"\u003eCarmen-Sibha Keiso\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1004\" data-end=\"1117\"\u003eThe issue examines the role of the ‘badaud’—a curious onlooker—in art criticism and the capitalist context.\u003c\/p\u003e\n\u003ch4 data-start=\"1119\" data-end=\"1152\"\u003eIssue 18.2: After-care\u003c\/h4\u003e\n\u003cp data-start=\"1153\" data-end=\"1228\"\u003eGuest edited by Joel Sherwood Spring, this edition features works by:\u003c\/p\u003e\n\u003cul data-start=\"1230\" data-end=\"1422\"\u003e\n\u003cli data-start=\"1230\" data-end=\"1247\"\u003eSJ Norman\u003c\/li\u003e\n\u003cli data-start=\"1248\" data-end=\"1270\"\u003eEnoch Mailangi\u003c\/li\u003e\n\u003cli data-start=\"1271\" data-end=\"1292\"\u003eRagnar Thomas\u003c\/li\u003e\n\u003cli data-start=\"1293\" data-end=\"1316\"\u003eGeorgia Hayward\u003c\/li\u003e\n\u003cli data-start=\"1317\" data-end=\"1338\"\u003eHideko G. Ono\u003c\/li\u003e\n\u003cli data-start=\"1339\" data-end=\"1358\"\u003eSuvani Suri\u003c\/li\u003e\n\u003cli data-start=\"1359\" data-end=\"1380\"\u003eDiego Ramírez\u003c\/li\u003e\n\u003cli data-start=\"1381\" data-end=\"1400\"\u003eNadia Demas\u003c\/li\u003e\n\u003cli data-start=\"1401\" data-end=\"1422\"\u003eroxxy marsden\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1424\" data-end=\"1518\"\u003eThis issue addresses concepts of care, healing, and the aftermath of artistic processes.\u003c\/p\u003e\n\u003ch4 data-start=\"1520\" data-end=\"1547\"\u003eProduct Details:\u003c\/h4\u003e\n\u003cul data-start=\"1548\" data-end=\"1661\"\u003e\n\u003cli data-start=\"1548\" data-end=\"1578\"\u003ePublisher: un Projects\u003c\/li\u003e\n\u003cli data-start=\"1579\" data-end=\"1604\"\u003eFormat: Paperback\u003c\/li\u003e\n\u003cli data-start=\"1605\" data-end=\"1637\"\u003eDimensions: 242 x 130 mm\u003c\/li\u003e\n\u003cli data-start=\"1638\" data-end=\"1661\"\u003eISSN: 1449-6747\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"un Project","offers":[{"title":"Default Title","offer_id":45001386819778,"sku":"14357","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0407\/3114\/8453\/files\/un_magazine.png?v=1741941048"},{"product_id":"tim-burns-time-smoking-a-picture","title":"Tim Burns. Time Smoking: A Picture","description":"\u003cp\u003e\u003cspan\u003ePublished to accompany the exhibition \u003ci\u003eTim Burns — The Kinetic Moment\u003c\/i\u003e at The Art Gallery of Western Australia, this illustrated catalogue explores the life and work of the restless, innovative, and eccentric artist, Tim ‘3rd Degree’ Burns (born Cunderdin, 1947). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpanning more than six decades of practice, the publication considers Burns’s experimental approach to his early paintings and sculptures in Perth, his contributions to the development of performance art in Sydney and his involvement in No Wave underground and experimental filmmaking in New York, tracing a unique practice that challenges convention, reinvents itself and blurs the boundaries between art and life. Variously ad-hoc, D-I-Y and low-tech, Burns's works have largely remained outside of the mainstream, until now. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing essays by exhibition curator Aimee Dodds and academic Dr Edward Colless, \u003ci\u003eTim Burns. Time Smoking: A Picture\u003c\/i\u003e offers new perspectives on Burns’s provocative, socially engaged and often explosive oeuvre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by Castledine \u0026amp; Castledine, this publication is an essential companion to the exhibition \u003ci\u003eTim Burns - The Kinetic Moment\u003c\/i\u003e and a valuable contribution to the documentation of one of Western Australia’s most distinctive artistic voices. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthors: Aimee Dodds and Edward Colless\u003c\/li\u003e\n\u003cli\u003eDesign: Castledine \u0026amp; Castledine\u003c\/li\u003e\n\u003cli\u003ePublished by AGWA, 2026\u003c\/li\u003e\n\u003cli\u003ePrinter: Artproof, North Fremantle\u003c\/li\u003e\n\u003cli\u003e210 pages\u003c\/li\u003e\n\u003cli\u003eISBN: 9781922868121\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AGWA","offers":[{"title":"Default Title","offer_id":67766193094850,"sku":"9781922868121","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0407\/3114\/8453\/files\/Tim-Burns-Time-Smoking-A-Pictue-Cover.jpg?v=1791798195"},{"product_id":"parallel-realities","title":"Parallel Realities","description":"\u003cp\u003e‘Parallel Realities’ presents the expansive and complex history of performance art in Australia from the 1950s to today arguing that unlike the international canon our development was informed less by broader art movements but shaped by theatre, avant- garde individuals, music, travel, political identity and a reaction against static notions of nationhood. That being said, ideologies did play a part and the text refers to the Antipodean Manifesto, Dada, The Yellow House, Oz magazine, clubbing and ARIs.\u003c\/p\u003e\n\u003cp\u003eA generous portion of the book surveys 33 leading pioneers in performance art including Ken Unsworth, Tim Burns, Stelarc, George Gittoes, Kevin Mortensen, Jill Orr, Bonita Ely, Lyndall Jones and Aleks Danko.\u003c\/p\u003e\n\u003cdiv class=\"line clear\"\u003e\n\u003cdiv class=\"head head-100\"\u003e\u003cb\u003eAuthors\u003c\/b\u003e\u003c\/div\u003e\n\u003cspan\u003eNeil Howe\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"line\"\u003e\n\u003cdiv class=\"head head-100\"\u003e\u003cb\u003eISBN\u003c\/b\u003e\u003c\/div\u003e\n\u003cspan itemprop=\"isbn\"\u003e9780500500934\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"line\"\u003e\n\u003cdiv class=\"head head-100\"\u003e\u003cb\u003ePublished\u003c\/b\u003e\u003c\/div\u003e\n\u003cspan itemprop=\"datePublished\" content=\"2017-09-01\"\u003e01 \/ 09 \/ 2017\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"line\"\u003e\n\u003cdiv class=\"head head-100\"\u003e\u003cb\u003eBinding\u003c\/b\u003e\u003c\/div\u003e\n\u003cspan itemprop=\"bookFormat\"\u003eHardcover\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"line\"\u003e\n\u003cdiv class=\"head head-100\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/div\u003e\n218 x 304 x 37mm\u003c\/div\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":67834981318850,"sku":"9780500500934","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0407\/3114\/8453\/files\/parallel_realities_neil_howe.png?v=1792113268"},{"product_id":"minefield","title":"Minefield","description":"\u003cp\u003eIn 1973 The Mildura Sculpture Triennial was showcasing new experimental art in Australia, dubbed ‘earthworks’ or ‘site-specific art’. But at dawn on the first day a frontend loader ploughed up and destroyed the most provocative installation in the show - \u003cem\u003eMinefield \u003c\/em\u003eby controversial Australian artist Tim Burns - in the interests of public safety. By mid-morning all that was left of a work that had occupied around 400 square metres of ground was furrowed scars. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat had been so dangerous? \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis collection of essays traverses a legendary work of Australian sculpture that was scandalous, formidable yet elusive, indeed feral, and - with almost no evidence of it remaining - damned.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEditor: Edward Colless\u003c\/li\u003e\n\u003cli\u003eAuthors: Lucy Bleach, Donald Brook, Edward Colless, Justin Clemens, Helen Hughes\u003c\/li\u003e\n\u003cli\u003eISBN 978-0-9953925-0-2\u003c\/li\u003e\n\u003cli\u003e104 pages | Hardcover | B\u0026amp;W images\u003c\/li\u003e\n\u003cli\u003e215mm H x 138mm W\u003c\/li\u003e\n\u003cli\u003ePublished October 2016 by Art \u0026amp; Australia\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art \u0026 Australia","offers":[{"title":"Default Title","offer_id":67834983383234,"sku":"9780995392502","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0407\/3114\/8453\/files\/minefield.png?v=1792113451"}],"url":"https:\/\/designstore.artgallery.wa.gov.au\/collections\/tim-burns-the-kinetic-moment\/50-100.oembed","provider":"AGWA Design Store","version":"1.0","type":"link"}