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George Condo emerged out of the dynamism of the New York art scene in the early 1980s, and he has been restlessly painting, drawing and sculpting ever since. With his ‘fake’ Old Masters, reconfigured Manets
and ‘psychologically Cubist’ portraits, Condo has invented, mastered and expanded not just one painterly language but an entire lexicon.
288 pages, 310 x 260 mm (PB)
