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Taking cues from Val Abraham, an M. Oliveira film, Osorio's visuals nod to the persona of Ema. Its antiquated charm, delicate nature, and wistful tones juxtapose a modern graphic representation.
Crafted by Rachel Convers, Osorio narrates Ema's lethargy within Portugal's Bussaco palace, amidst azulejos and a landscape abundant with vibrant greenery.
